{"product_id":"yard-act-youre-gonna-need-a-little-music-due-17-7-26","title":"Yard Act - You're Gonna Need A Little Music - Due 17\/7\/26","description":"\u003cdiv data-editor-content=\"{\u0026quot;blocks\u0026quot;:[{\u0026quot;key\u0026quot;:\u0026quot;ceqsv\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;Yard Act - You're Gonna Need A Little Music 17th July 2026\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;4ec6b\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;586gi\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;Having initially captured our ears with ‘The Trapper's  Pelts’, we’ve been eagerly following the Leeds quartet ever since,  hungrily gulping down their swift-witted lyricism and inventive,  ever-evolving approach to indie rock. \u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;d57bp\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;Now, finally able to dedicate the time and energy into  crafting the album that they always wanted to make, Yard Act have thrown  their all into album number 3, enlisting producer extraordinaire,  Justin Meldal-Johnsen (Nine Inch Nails, Beck, St. Vincent), to help fine  tune these 11 diverse and ingeniously crafted tracks. Each of which  will be claiming serious real estate in your heads in the months to  come!\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;bki6r\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;Yard Act may have previously been searching for their utopia  but, like the soothsayers they are, they recognise that it’s music that  will be our mutual salvation.\\n\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;aqp5c\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;For Fans Of: Pulp \/ Getdown Services \/ Bodega \/ Deadletter \/  Baxter Dury \/ Sports Team \/ Nick Cave \u0026amp; The Bad Seeds\\n\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;1q0u2\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;Simultaneously  the most dynamic, collaborative, energised work they’ve laid to tape,  but also containing some of the darkest, most cynical and truly  questioning moments they’ve concocted too, it picks up their tale and  examines the findings more unsparingly than ever.\\n\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;7ph8r\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;The results  speak for themselves. Recorded between Leeds and Glendale, Los Angeles  with producer, Justin Meldal-Johnsen (Nine Inch Nails, Beck, St.  Vincent), You’re Gonna Need A Little Music rings with the  chemistry and energy of a band absolutely locked in. Each track has its  own distinct character, whether in the ominous, guttural ferocity of  ‘Redeemer’, the sleazy disco odyssey of its title track, the fizzing  indie smarts of ‘Cherophobe Rock’ or the loose, cerebral meditations of  ‘Janey Said’. It stems from a time of experimentation and exploration -  ask Shipstone about “The Code” and he’ll give you a technical  explanation as to why these songs are able to constantly veer into  unexpected places whilst never undermining their melodic clout.\\n\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[{\u0026quot;offset\u0026quot;:161,\u0026quot;length\u0026quot;:32,\u0026quot;style\u0026quot;:\u0026quot;ITALIC\u0026quot;}],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;dcdlt\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;The  sense is of a band hitting a purple patch, where all the efforts of the  last half-decade come together and create magic. “I think most bands’  best stuff comes around the 3rd or 4th album where they really outgrow  their influences and become their own thing,” muses Smith as Needham  chips in: “I keep saying, it’s like Blur. This is Parklife. The first  album they were doing the genre-y thing; the second one was a kick  against that but they didn’t really know what they were doing, and then  they made Parklife, which was the perfect distillation of it all.”\\n\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;p9g1\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;You’re Gonna Need A Little Music,  however, is no whimsical walk through suburban England. From the  opening self-analytical sprawl of ‘Empty Pledges’ - a track that begins  with juddering deep breaths at the top of a skyscraper and freefalls  into a torrent of thoughts about purpose, pride and the feeling of  punching your way out of a prison of your own making - Yard Act’s third  seeks to work through some of the most complicated facets of life.\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[{\u0026quot;offset\u0026quot;:0,\u0026quot;length\u0026quot;:32,\u0026quot;style\u0026quot;:\u0026quot;ITALIC\u0026quot;}],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;84p0e\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;The questions are deep, but the spirit of You’re Gonna Need A Little Music is boundless - not for nothing does its title point to the power of art  and creativity to rescue us from the mire. ‘Thrill of The Chase’, with  its snarled, frenetic climax as close to rap as Smith has ever reached,  is filled with venom but you can also picture it giddily going off in  the mosh pit. ‘Redeemer’ might have thrown the kitchen sink - or at  least its cookware - at the situation, with Meldal-Johnsen concocting a  brittle, metallic soundscape out of a day of rattling pots and pans, but  the result is direct, visceral and exciting.\\n\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[{\u0026quot;offset\u0026quot;:42,\u0026quot;length\u0026quot;:32,\u0026quot;style\u0026quot;:\u0026quot;ITALIC\u0026quot;}],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}},{\u0026quot;key\u0026quot;:\u0026quot;agftd\u0026quot;,\u0026quot;text\u0026quot;:\u0026quot;It’s a balancing  act that culminates, as all Yard Act albums do, with a final moment of  optimism in ‘Over The Barrel’: a track that travels from rinky dink  bar-room piano through a euphoric indie-rock chorus and out, finally,  into that sought-after ocean. Perhaps it’s less certain than Smith has  been in the past. “‘Over The Barrel’ [as a saying] can have multiple  meanings. The choice is yours. But,” says the frontman, “personally, I  still have a bit of hope in me for how it all works out.” The  destination might still be unknown, but the journey is unequivocally  Yard Act’s finest yet. Maybe Faust didn’t have the ending all worked out  after all.\u0026quot;,\u0026quot;type\u0026quot;:\u0026quot;unstyled\u0026quot;,\u0026quot;depth\u0026quot;:0,\u0026quot;inlineStyleRanges\u0026quot;:[],\u0026quot;entityRanges\u0026quot;:[],\u0026quot;data\u0026quot;:{}}],\u0026quot;entityMap\u0026quot;:{}}\" style=\"white-space: pre-wrap;\"\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"2k41d-0-0\"\u003e\n\u003cdiv data-offset-key=\"2k41d-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"2k41d-0-0\"\u003e\u003cspan data-text=\"true\"\u003eYard Act - You're Gonna Need A Little Music 17th July 2026\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"f5n1q-0-0\"\u003e\n\u003cdiv data-offset-key=\"f5n1q-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"f5n1q-0-0\"\u003e\u003cbr data-text=\"true\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"13ua1-0-0\"\u003e\n\u003cdiv data-offset-key=\"13ua1-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"13ua1-0-0\"\u003e\u003cspan data-text=\"true\"\u003eHaving initially captured our ears with ‘The Trapper's Pelts’, we’ve been eagerly following the Leeds quartet ever since, hungrily gulping down their swift-witted lyricism and inventive, ever-evolving approach to indie rock. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"6fpbv-0-0\"\u003e\n\u003cdiv data-offset-key=\"6fpbv-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"6fpbv-0-0\"\u003e\u003cspan data-text=\"true\"\u003eNow, finally able to dedicate the time and energy into crafting the album that they always wanted to make, Yard Act have thrown their all into album number 3, enlisting producer extraordinaire, Justin Meldal-Johnsen (Nine Inch Nails, Beck, St. Vincent), to help fine tune these 11 diverse and ingeniously crafted tracks. Each of which will be claiming serious real estate in your heads in the months to come!\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"7e5et-0-0\"\u003e\n\u003cdiv data-offset-key=\"7e5et-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"7e5et-0-0\"\u003e\u003cspan data-text=\"true\"\u003eYard Act may have previously been searching for their utopia but, like the soothsayers they are, they recognise that it’s music that will be our mutual salvation. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"e8ek6-0-0\"\u003e\n\u003cdiv data-offset-key=\"e8ek6-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"e8ek6-0-0\"\u003e\u003cspan data-text=\"true\"\u003eFor Fans Of: Pulp \/ Getdown Services \/ Bodega \/ Deadletter \/  Baxter Dury \/ Sports Team \/ Nick Cave \u0026amp; The Bad Seeds \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"1vvbo-0-0\"\u003e\n\u003cdiv data-offset-key=\"1vvbo-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"1vvbo-0-0\"\u003e\u003cspan data-text=\"true\"\u003eSimultaneously the most dynamic, collaborative, energised work they’ve laid to tape, but also containing some of the darkest, most cynical and truly questioning moments they’ve concocted too, it picks up their tale and examines the findings more unsparingly than ever. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"bnv1f-0-0\"\u003e\n\u003cdiv data-offset-key=\"bnv1f-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"bnv1f-0-0\"\u003e\u003cspan data-text=\"true\"\u003eThe results speak for themselves. Recorded between Leeds and Glendale, Los Angeles with producer, Justin Meldal-Johnsen (Nine Inch Nails, Beck, St. Vincent), \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"bnv1f-0-1\" style=\"font-style: italic;\"\u003e\u003cspan data-text=\"true\"\u003eYou’re Gonna Need A Little Music\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"bnv1f-0-2\"\u003e\u003cspan data-text=\"true\"\u003e rings with the chemistry and energy of a band absolutely locked in. Each track has its own distinct character, whether in the ominous, guttural ferocity of ‘Redeemer’, the sleazy disco odyssey of its title track, the fizzing indie smarts of ‘Cherophobe Rock’ or the loose, cerebral meditations of ‘Janey Said’. It stems from a time of experimentation and exploration - ask Shipstone about “The Code” and he’ll give you a technical explanation as to why these songs are able to constantly veer into unexpected places whilst never undermining their melodic clout. \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"47c4r-0-0\"\u003e\n\u003cdiv data-offset-key=\"47c4r-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"47c4r-0-0\"\u003e\u003cspan data-text=\"true\"\u003eThe sense is of a band hitting a purple patch, where all the efforts of the last half-decade come together and create magic. “I think most bands’ best stuff comes around the 3rd or 4th album where they really outgrow their influences and become their own thing,” muses Smith as Needham chips in: “I keep saying, it’s like Blur. This is Parklife. The first album they were doing the genre-y thing; the second one was a kick against that but they didn’t really know what they were doing, and then they made Parklife, which was the perfect distillation of it all.” \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"9afld-0-0\"\u003e\n\u003cdiv data-offset-key=\"9afld-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"9afld-0-0\" style=\"font-style: italic;\"\u003e\u003cspan data-text=\"true\"\u003eYou’re Gonna Need A Little Music\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"9afld-0-1\"\u003e\u003cspan data-text=\"true\"\u003e, however, is no whimsical walk through suburban England. From the opening self-analytical sprawl of ‘Empty Pledges’ - a track that begins with juddering deep breaths at the top of a skyscraper and freefalls into a torrent of thoughts about purpose, pride and the feeling of punching your way out of a prison of your own making - Yard Act’s third seeks to work through some of the most complicated facets of life.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"7j4jm-0-0\"\u003e\n\u003cdiv data-offset-key=\"7j4jm-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\n\u003cspan data-offset-key=\"7j4jm-0-0\"\u003e\u003cspan data-text=\"true\"\u003eThe questions are deep, but the spirit of \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"7j4jm-0-1\" style=\"font-style: italic;\"\u003e\u003cspan data-text=\"true\"\u003eYou’re Gonna Need A Little Music\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-offset-key=\"7j4jm-0-2\"\u003e\u003cspan data-text=\"true\"\u003e is boundless - not for nothing does its title point to the power of art and creativity to rescue us from the mire. ‘Thrill of The Chase’, with its snarled, frenetic climax as close to rap as Smith has ever reached, is filled with venom but you can also picture it giddily going off in the mosh pit. ‘Redeemer’ might have thrown the kitchen sink - or at least its cookware - at the situation, with Meldal-Johnsen concocting a brittle, metallic soundscape out of a day of rattling pots and pans, but the result is direct, visceral and exciting. \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"block paragraph\" data-block=\"true\" data-editor=\"818gh\" data-offset-key=\"3opcq-0-0\"\u003e\n\u003cdiv data-offset-key=\"3opcq-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\"\u003e\u003cspan data-offset-key=\"3opcq-0-0\"\u003e\u003cspan data-text=\"true\"\u003eIt’s a balancing act that culminates, as all Yard Act albums do, with a final moment of optimism in ‘Over The Barrel’: a track that travels from rinky dink bar-room piano through a euphoric indie-rock chorus and out, finally, into that sought-after ocean. Perhaps it’s less certain than Smith has been in the past. “‘Over The Barrel’ [as a saying] can have multiple meanings. The choice is yours. But,” says the frontman, “personally, I still have a bit of hope in me for how it all works out.” The destination might still be unknown, but the journey is unequivocally Yard Act’s finest yet. Maybe Faust didn’t have the ending all worked out after all.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"A Slice Of Vinyl ","offers":[{"title":"Default Title","offer_id":57913303761270,"sku":null,"price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0903\/2872\/7926\/files\/YARDACT.webp?v=1779200357","url":"https:\/\/asliceofvinylrecordshop.co.uk\/products\/yard-act-youre-gonna-need-a-little-music-due-17-7-26","provider":"A Slice Of Vinyl ","version":"1.0","type":"link"}